What Saves Us PDF Print E-mail

by Mary Van Denend

Half on the earth, half in the heart, the remedies for all our pains wait for the songs of healing  - Joseph Bruchac 

ART SAVES LIVES—
A bold pronouncement on the bumper
of a little black Honda tells
what I’ve come to believe:

that a sonnet might heal us,
an aria could save us. 
Perhaps the light of Christ
might just show up in a Cezanne.
Remember how David played his harp
to quiet the mad ramblings of Saul?
In my town, harpists still play for dying  
patients, lowering blood pressure, easing 
their pain with strings instead of needles. 
Did you know that in the rubble of Sarajevo
a drama company formed, performing
for anyone who would come to a bombed-out
theatre?  Even now, young men in prison
cells write poetry as if it mattered, turning
hardness of hearts like soft clay on a wheel.
Peter at fifteen, his basement room
a black tomb of anger and despair,
where Marilyn Manson blared in his brain
and the walls hid psychedelic secrets––
It was Mozart, it was good wine, and the Psalms.
It was that other wine at another table
that carried us through the valley
of the shadow back to still waters.
What saves us may simply arrive as Yo-Yo Ma
on his cello while lentils simmer,
or some lines by Mary Oliver read
to a pattern of light and leaves
that the wind offers up.


Mary Van Denend lives and writes in western Oregon, though her childhood was spent in many places. Poetry of place speaks deeply to her. She has published work in regional journals such as The Asheville Review, Eloquent Umbrella, Wellspring, and others. She is the mother of four grown children and a recent graduate of Seattle Pacific University’s MFA in Creative Writing.
 
 
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