Table of Contents: Issue #6

Editor’s Note

Poetry
Bethany Carlson - Shotgun Favorite
Luke Hankins - Newspaper Photo
Lisa Roney - Easter Baking
Felicia Zamora - center piece
Sally Rosen Kindred - I Find God Out Back, Flood Watch
Paul Willis - Mariposa Grove, Red Rock Falls
Leonore Wilson - Fourth Station: Jesus Meets His Mother
Barbara Adams - Abiding
Mary Van Denend - What Saves Us , Lost & Found, A Thousand Geese
David Oestreich - Another Flesh, A Weekly Apocalypse
Hannah Faith Notess - Epiphany, Returning to the Psalms of Lament
Mary Ann Sullivan - Gathering South Asia Through Our Eyes
Michael Creighton - Questions for the Agent, Apologies to the Shakarkandi Wallah
Grace Albritton - All in a Day

Fiction
Colleen J. Clayton-Dipolito - Black Jack and Sacrifice
Stephanie Dickinson - Klara’s Boy

Nonfiction
Bethany Carlson - Simple Science
Jessie van Eerden - Laundry

Art
Brittney Williams - The Face of a Saint, Catch, Be Calm
Julie Pointer - Mother and Child
Vincent Berquez - Dover, The Road to Taller
Joy Deeann Carson - and who knows whether you have not attained
     royalty for such a time as this
     she spent all she had and was not helped at all

 
Editor's Note: Epiphany
My husband is agitated that I am hanging on to our home’s landline. Granted things have changed from the days of “the telephone chord curled against her lips” as Bethany Carlson describes in her poem.
Read more... [Editor's Note: Epiphany]
 
Newspaper Photo

by Luke Hankins

a picture of children skipping
in Africa through a swarm of locusts

Read more... [Newspaper Photo]
 
What Saves Us

by Mary Van Denend

Half on the earth, half in the heart, the remedies for all our pains wait for the songs of healing  - Joseph Bruchac 

ART SAVES LIVES—
A bold pronouncement on the bumper
of a little black Honda tells
what I’ve come to believe:

Read more... [What Saves Us]
 
Apologies to the Shakarkandi Wallah

by Michael Creighton

Nestled in spent coals,
in a clay bowl that sits in a box on the back
of the Atlas cycle he is pushing through this market,
is all that remains of his day’s work:

 

Read more... [Apologies to the Shakarkandi Wallah]
 
Laundry

by Jessie Van Eerden

    In summer I caught the towels beneath the lip of the wringer and dropped them into a Rubbermaid laundry basket like limp fish into a bucket. The towels had swished around the agitator in the belly of the Speed Queen washer, a big white pail of suds on four legs, its wringer sticking up like a crooked arm, a drain pipe snaking down its side. My mother pulled the towels from their rough bath and fed them through the yellow cylinders of the wringer into the rinse tub, careful of her fingers, and then adjusted the wringer two notches toward me and sent the towels through again, from the rinse water to my waiting hands and my basket. The towels, then the denims, then the thin pillowcases I had to coax. I held them just long enough to smell myself up with Tide and wrinkle my young skin, then dropped my catch to the basket to be carried out to the clothesline. And all summer Mom kept saying we used the old Speed Queen instead of an automatic toploader because it was easier on well-water, wouldn’t run us dry, since we could do twelve loads in the same water bath and not have to run fresh water for each. But it was a drought summer, and in early fall when the air got chilly enough to dry the towels stiff as leather, the well ran dry anyway. 

     She drove us in the truck out to Beatty Church and we filled milk jugs at the hand pump, the same place we got water for a foot-washing or a baptism at Beatty. I remember the ways we used the jugged water that first night, in particulars, for we had to be sparing. In a shallow sink, we washed the eggs just laid by the hens, scrubbing loose the clods of shit and sawdust, and I had my mouth washed out with water and soap when I called it shit on the eggs and not manure, and my sister heated water on the stove to clean our faces with before bed. The water made itself holy because of those particulars.

     I cried on our third dry day, but Mom said that once, when we were babies, she ran out of cloth diapers, so she took the ones only peed in and hung them out to dry on the line, not because the well had gone dry but because she was too worn-out to run them through a wash. She hung them out tinged yellow, dry soon enough. And it wasn’t so bad, so we’d be fine. The rain would come, the water table would rise. 

     And when we hauled the pump’s water again from the truck to the basement, and the gallon jugs hung heavily in both my hands, I learned that water could be as heavy as stones, and that you had to wait, sometimes for days, for the world to be renewed.  

A West Virginia native, Jessie van Eerden holds an MFA in nonfiction writing from the University of Iowa. Her essays have appeared in Best American Spiritual Writing, Geez Magazine, and Bellingham Review, as well as a few other journals. She is currently working on a novel and teaching writing as the Milton Fellow with IMAGE and Seattle Pacific University. She and her husband Mike have spiritual roots in a tiny Mennonite fellowship in Indiana, a group that eats soup and bread together after worship each week, and they are seeking such a community in their new home city, Seattle.

 
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